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Midlands Literary Festival 2012 |
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Tuesday, 21 August 2012 08:57 |
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The 2012 Midlands Literary Festival takes place this weekend, opening with the launch of the Zulu Literary Museum at the Centre for African Literary Studies at the University of KwaZulu-Natal. The rest of the festival takes place at the Yellow-wood Cafe in Howick.
Click here for the full programme ...
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Thomas Baines: exploring tropical Australia 1855 to 1857 |
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Monday, 20 August 2012 14:14 |
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By Melissa Mungroo
KZN Literary Tourism project leader Lindy Stiebel recently published and edited the book Thomas Baines: exploring tropical Australia 1855 to 1857 with Jane Carruthers.
According to Stiebel, the book focuses on a little known but fascinating contribution by Thomas Baines to Augustus Gregory’s North Australian Expedition which depicts the artist-explorer’s audacious attempt, in an open longboat with two companions, to link up with Gregory at the Albert River at the southern end of the Gulf of Carpentaria.
‘In this book, for the first time, the remarkably accurate map that Baines compiled of this voyage, and extracts from the accompanying manuscript journals are evaluated and published. The hardships suffered by these men, their courage in dangerous waters and their encounters with Aboriginal Australians provide detailed insights into the complexities of Australian mid-nineteenth century history,’ said Stiebel.
However, this book also illuminates important general issues related to imperial maritime history, the colonial encounter and colonial art. Illustrated by Baines’s accomplished sketches and paintings inspired by the expedition, this work arises from a partnership between South African and Australian scholars. ‘Their combined insights substantially augment current scholarship on Thomas Baines as colonial explorer, naturalist, diarist, cartographer and artist.’
The cover image is taken from an oil painting Baines made from the expedition. It is entitled “The Baines River and its side channel just above Curiosity Peak, Victoria River, North Australia, 1868”
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Tuesday, 14 August 2012 14:11 |
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By Jill Nudelman
Review by Sarah Frost
Inheriting the Earth is an intriguing first novel, by Wits Creative Writing Masters graduate Jill Nudelman. I liked her fine attention to detail, and feel the strength of the book lies in its descriptive power. Written in the third person, which gives the story a graceful but strangely intimate poise, the story centres around the experience of Rose Clemens, an orphan in search of her roots. After the death of her foster mother who raised her, Rose discovers a boxful of mysterious objects that hint at her heritage. She leaves her hometown Johannesburg to go to the small village of Oberon in the Drakensberg to find out more about these artefacts. Conveniently, she has discovered that she has inherited millions from her late foster mother, which gives her time and means to delve into her past.
But, as the title suggests, it is not so much her material inheritance that preoccupies Rose, but her connection with the spiritually powerful mountains, where the descendants of the last surviving San community are said to reside. The connections are implicit in this book, Nudelman does not spell them out, and yet the resonances and symmetries are satisfying. There is a possible link between the ‘white lady’ – Rosamund Swan, an Englishwoman, who visited the area in the late 19th century and may have had an illicit liaison with one of the Bushmen living in Patilweng, the San village; and her great-grandaughter Ruby Crystal (Rose’s real mother), who also came to Oberon, and may have had an affair there with Rose’s father, Eric Vogel. Although I found Nudelman’s description of Rose’s foray into the mountains to visit a sangoma who ‘dreamt of her’ and her subsequent participation in a trance dance with the community there a little rushed and self-conscious, I admired the author’s attempt to integrate the heroine into another form of knowing. In her altered state, Rose sees her mother Ruby who tells her: ‘When we recognise that we have lost our distant past, only then can we mourn for it and move on’. This is the gist of the book; Rose’s journey to Oberon is to discover her origins, while simultaneously letting go of it so that she can move forward. Symbolically, she gets lost trying to find her way back to her car from Patilweng. Dr Wim Metheus, an enigmatic doctor from an Aids hospice in the area saves her life. Their encounter mirrors that of her mother’s and her great-great grandmother’s, in that after a passionate night in a cave where they stay overnight, she falls pregnant. The book is often delightful, written with care and attention. I feel it succeeds in showing the importance of knowing where one comes from.
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