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Wednesday, 07 February 2007 |
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James Howe McClure (1939 - 2006) the son of Scots parents, was born in Johannesburg and educated in Pietermaritzburg (the fictitious 'Trekkersburg' in his Kramer and Zondi dectective thriller series). He went to Scottsville School from 1947-51, Cowan House, 1952- 54, and Maritzburg College, 1955-58. He married Lorelee Ellis in 1962 and had two sons and one daughter. He worked as a commercial photographer, 1958-59; taught English and art at Cowan House, 1959-63 and then as a crime reporter for the Natal Witness, 1963-64, Natal Mercury, 1964-65 and Daily News, 1965 (all in Pietermartizburg, KwaZulu-Natal). In 1965 he moved to Scotland where he joined the Daily Mail in Edinburgh as a Sub-Editor, and then the Oxford Mail and Oxford Times, 1966-73. He left journalism in the mid-seventies to pursue writing full time, and in 1989 returned to the the Oxford Times where he eventually became Editor. In 2000 McClure became editor of the Oxford Mail where he remained until his retirement at the beginning of 2005. McClure was the recipient of the Crime Writers Association Gold Dagger in 1971 for his first novel, The Steam Pig, and a Silver Dagger in 1976 for an espionage novel, The Rogue Eagle. See McClure's obituary at http://www.guardian.co.uk/news/2006/jun/22/guardianobituaries.pressandpublishing Selected WorkFrom The Steam Pig, 1971. The corner of De Wet Street and the Parade was deserted. Zondi should have been waiting there for at least an hour - the two calls had taken far longer than Kramer anticipated. He parked the car and sat. He needed to think carefully before making his next move. It would be very rash for a white, even armed, to attempt to follow in Zondi's footsteps. On the other hand, he rebelled against the thought of calling in help. His mind reacted to the dilemma by blanking out. He was staring across the pavement at the statue of Queen Victoria, which had presumably survived into the Republican era because it was so incredibly gross, when something stirred on the Great White Mother's lap. He saw a slim brown hand reach up for a snap-brim hat hung on the sceptre. Moments later Zondi slid down and strode casually over. "No Shoe Shoe," he said. "His wheelbarrow is round the back of the City Hall but not one fellow knows where he is." "You asked plenty?" "Oh yes, boss," Zondi licked his knuckles. The wind had gone. It was very cold and very early in the morning. "Get in, I'll take you home." "How come? We can go out to Peacehaven, boss." "Not tonight - I'll explain why. Move it."
As Kramer drove out to Kwela Village, he filled in on all that had happened. If that was the Colonel's attitude, then he could not expect them to miss another night's sleep. Zondi lived with his wife and three children in a two-roomed concrete house which covered an area of four table-tennis tables and had a floor of stamped earth. He always had to direct Kramer to it as there were several hundred other identical houses in the township. All that distinguished his home was a short path edged with upturned condensed-milk cans too rusty to catch the car's headlights. "Go for Gershwin Mkize in the morning," Kramer instructed him after they had stopped. "He should know where his merchandise has got to. Maybe Shoe Shoe's sick? I've got to see the Colonel and Mr Perkins, then I'll be in the market square if you're not back in the office by ten." "Right, boss, see you."
Kramer waited with his lights on the door so Zondi would not fumble the key, and then started off down the hill into town again. Lucky man, that wife of Zondi's was a good woman with a fine wide pelvis. Kramer caught himself wondering if it was not time he got lucky; he liked the idea of a loyal woman and he liked children. But no, he was a man of principle. It was not fair taking on such a responsibility in his job - you never knew when you might fetch up grinning at Strydom with your stomach. Anyway, he had found himself a widow with four kids. She would love a surprise guest. BibliographyKramer and Zondi Series
1971. The Steam Pig. London: Victor Gollancz. 1972. The Caterpillar Cop. London: Harper & Row. 1974. The Gooseberry Fool. London: Harper & Row. 1975. Snake. London: HarperCollins. 1976. Rogue Eagle. London: HarperCollins. 1976. The Sunday Hangman. London: HarperCollins. 1980. The Blood of an Englishman. London: HarperCollins. 1984. The Artful Egg. London: Random House.
Novels
1973. Four and Twenty Virgins. London: Magna Print Bks. (1973) 1988. Imago: A Modern Comedy of Manners 1991. The Song Dog
Non-fiction
1980. Spike Island: Portrait of a British Police Division 1984. Cop World: Inside an American Police Force 1976. Killers: A Companion to the Thames Television Series By Clive Exton |
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Wednesday, 07 February 2007 |
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Michelle McGrane (1974) was born in Zimbabwe. She spent her childhood in Malawi, and moved to South Africa with her family when she was fourteen. McGrane has lived in Pietermaritzburg since 1988.
McGrane has published two collections of poetry, Fireflies & Blazing Stars (2002) and Hybrid (2003). She was the recipient of the South African Writers' Circle Hilde Slinger Poetry Award in 2003 and the Quill Award in 2004. McGrane's poems have been published in local literary journals such as Fidelities, Botsotso, Kotaz, LitNet and Timbila as well as internationally in the United Kingdom, America and Canada. McGrane is dedicated to promoting South African writing and has a strong commitment to developing her work and the work of other writers, through participating in creative writing networks. She was involved as a mentor in the Agenda Feminist Media Project Creative Writing Programme in 2004. This is a writing programme that enables writers with concrete skills to reflect on and write about issues of gender. It specifically seeks to help writers write for an audience and for publication. She was a participant in the Centre for the Book's Turning the Page festival of emerging South African writing, sponsored by the National Arts Council and the Department of Arts & Culture. The event was held in Cape Town in November 2004. Selected WorkMountain Picnic Remember that first weekend we met, we jumped into your car, drove up through the mountains, excited but unsettled by this spontaneous advent. You wanted to hike, I wanted to swim, you let me have my way. We lay down along the narrow river's edge, shared a threadbare orange towel, watched the water dip and swirl, sweep round mossy boulders. Inspired by the scenery, I told you you had eagle's eyes. We drank pink champagne from long-stemmed flutes, ate leftover chocolate cake, talked quietly, sticky hands entwined, you stroked my face, head cushioned in your lap. Brooding clouds rolled over blue peaks, it began to pelt warm summer rain, but we were wet already. Giddy with wine and secrets, bedraggled, grinning ear to ear, something unaccountably light was born. Bibliography2002. Fireflies & Blazing Stars. Pietermaritzburg: Trayberry Press. 2003. Hybrid. Pietermaritzburg: Trayberry Press. |
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Wednesday, 07 February 2007 |
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f Fatima Meer (1928 - ) was born in Grey Street, Durban. Her father, Moosa Meer was the editor of Indian Views, a weekly newspaper aimed at Gujarati-speaking Muslim communities. Fatima was brought up in an atmosphere that was highly conscious of racial discrimination and that shaped her into a tireless defender of the oppressed. She attended the Durban Indian Girls' High School and subsequently went to the University of Natal where she completed a Masters degree in Sociology. From 1946 to 1948, Indians in South Africa engaged in the Passive Resistance campaign against apartheid. Meer, who joined the campaign, established the Student Passive Resistance Committee, where she embarked on a career as an anti-apartheid campaigner. She helped establish the Durban districts Women's League to build alliances between Africans and Indians, after the race riots that occurred between the two groups in 1949. The organisation built a creche, distributed milk and fought the arrests of African women with passes. When the National Party came to power in 1948, imposing the policy of apartheid, Meer's involvement increased and she spoke publicly against apartheid. Her activities led to her banning in 1952, which excluded her from all public gatherings and from being published. She became a founding member of the Federation of South African Women (FEDSAW) that spearheaded the historical women's march to the Union Buildings that occurred on the 9th of August 1956.
During the 1960s, when the majority of activists were being detained without trial, she organised night vigils and in the 1970s when the Black Consciousness Movement was starting to dominate, she was again banned and was subsequently detained for trying to organise a rally with Steve Biko. Shortly after her release in 1976, Meer survived an assassination attempt, when her house was petrol bombed. Her son Rashid was forced into exile in the same year, making this a difficult time for her, as she was not to see him for a decade.
From the 1980s to the 1990s, Meer worked with NGOs, fighting for the rights of shack-dwellers and rural migrants. She headed the Natal Education Trust, which built schools in Umlazi, Port Shepstone and Inanda; established the Tembalihle Tutorial College in Phoenix and a Crafts Center. These projects were shut down in 1982 when Fatima was detained for contravening a banning order. Fatima established a string of educational institutions that were aimed at improving the quality of education for Africans.
She has published more than forty books on a wide variety of subjects. Her major publications include: Portrait of Indian South Africans; Apprenticeship of a Mahatma; Race and Suicide in South Africa; Documents of Indentured Labour; Higher than Hope; The South African Gandhi; Resistance in the Townships; Apartheid our Picture; and Passive Resistance amongst others. Fatima Meer has also won numerous awards for her activities, to name a few: Union of South African Journalists in 1975; Imam Abdullah Haroon Award for the Struggle against Oppression and Racial Discrimination in 1990; Vishwa Gurjari Award for Contribution to Human Rights in 1994 and 'Top 100 Women Who Shook South Africa' in 1999.
Fatima Meer continues with her work with non-governmental bodies, however she has since democracy in 1994 served in a number of advisory positions for the government. She is also a member of Jubilee 2000, that was formed to get the Third World Debt cancelled. The past few years have been difficult for Fatima, who has lost both her husband (Ismael) and son (Rashid). She has also suffered several heart attacks, yet she remains a fighter and a champion of the under classes.
Selected WorkFrom Apprenticeship of a Mahatma - A Biography of M.K. Gandhi 1869-1914 (1970)
When Mohan reached Durban in 1893, he was 24 years old. Seth Dada Abdulla, his host, client and employer, met him at the docks. The elegance of the young gentleman put him off considerably and he secretly wondered what he would do with him. Mohan had expected to find the same reception in Durban as in England since Natal was a British colony. He was thus shocked when he observed the supercilious air of the petty officials towards the Seth, whom he knew to be one of the wealthiest men in the colony. Customs formalities completed, they entered the city. Mohan had the feeling of being pursued by a silent hostility. The silence broke when he entered the local court. The presiding magistrate ordered Mohan to take off his turban. Mohan was shocked. A turban was not a hat; it covered the head as a mark of personal prestige and public respect. Humiliated and angry, the two men hurried out of the room, and it was then that Mohan learnt of White prejudices.
He wondered whether he should abandon wearing the turban, rather than having it subjected to further insults, but the Seth liked his young charge in a turban. Besides, he argued, never before had so educated an Indian entered the colony, and he reasoned that on that ground alone Mohan should not succumb to the unjustified and humiliating demands of the insensitive Whites. Mohan liked the Seth's attitude, and so he not only retained his turban, but in addition wrote a letter to the daily paper, protesting against his treatment in court. He thereby, quite unwittingly, stepped into the politics of racial discrimination and released a voice of protest which, - in the years to come, would become increasingly more sophisticated. His brush with the colour bar certainly did not end there.
Almost as if by design, Mohan was exposed to a further series of racial assaults within the succeeding few days when he set out for Pretoria to work with Dada Abdulla's lawyers on the Seth's R80,000 claim against his cousin, a Pretoria businessman. He began the journey in a first class compartment. His companion, preoccupied with his newspaper, remained apparently unaware of his presence until they approached Pietermaritzburg. Then he suddenly baulked at the prospect of having to spend the night with a black man, and summoned the officials. They appeared and the chief among them ordered Mohan to the goods van. Mohan refused to obey, whereupon a constable was summoned at Pietermaritzburg and he was pushed out of his compartment and left stranded on the platform while the train moved on.
He sat in the cold on the bench, overcome by his humiliation and barely able to contain his anger. He did not know where his luggage was, and he did not have the courage to enquire lest further humiliation would follow. His first reaction was to flee the country and he debated the matter deep into the night, working out the grounds on which he would ask Dada Abdulla to release him from his contract; but with dawn came a new resolution. To run away would be cowardly. He should stay and fight this thing that made petty officials act in such a high-handed manner towards respected citizens. He realized that what had happened to him was no chance event, but the studied application of an attitude which had taken possession of the local White mind. He considered that attitude evil and contrary to every British tradition he had learned to respect, and hence, in fact, alien to the English who practised it. He decided to stay and fight.
Bibliography1969. Portrait Of Indian South Africans. 1970. Apprenticeship Of A Mahatma. 1975. Black Women Durban 1975 : Case Studies On 85 Women At Home And Work. 1975. The Ghetto People : A Study Of The Effects Of Uprooting The Indian People Of South Africa. 1976. Race And Suicide In South Africa. 1984. Factory And Family : The Divided Lives Of South Africa's Women Workers. 1985. Unrest In Natal. 1987. The Trial Of Andrew Zondo : A Sociological Insight. 1988. Higher Than Hope : "Rolihlahla We Love You" : Nelson Mandela's Biography On His 70th Birthday. 1989. Resistance In The Townships (edited By Fatima Meer). 1989. Treason Trial, 1985. 1990. Mandela : Higher Than Hope : The Biography Of Nelson Mandela. 1991. Black - Woman - Worker (With Sayo Skweyiya et al). 1991. Monty Speaks : Speeches Of Dr. G.M. (Monty) Naicker, 1945-1963. 1991. Power Of The Powerless : A Study Of South Africa's Disenfranchised : Their Organisational Affiliations And Access To Power Based On A Sample Study Of 3316 Disenfranchised South Africans. 1993. The CODESA File : An Institute For Black Research Project. 2001. Prison Diary : One Hundred And Thirteen Days, 1976. |
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Wednesday, 30 August 2006 |
Diplomat and author, Vikas Swarup, was tonight named as the winner of Exclusive Books' 2006 Boeke Prize for his 'unputdownable' novel, Q&A, published by Random House. The book was also the favourite choice of thousands of Fanatics members who voted for it in an in-store competition.
It is the ninth debut novel to scoop the Boeke Prize, following last year's The Time Traveler's Wife and the previous year's joint award to The Curious Incident of the Dog in the Night Time and The Kite Runner. The prize, for the best page-turner and most compelling fiction of the year, was started 12 years ago as a tongue-in-cheek take on the more staid Booker Prize. |
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Thursday, 20 April 2006 |
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South African writer Mary Watson has been named this year's winner of the Caine Prize - known as the African Booker because of its link to the late Man Booker Prize chairperson Sir Michael Caine - for Jungfrau, a short story exploring a child's experience of life under apartheid.
Watson received the £10 000 prize from Nana Wilson-Tagoe, an expert on African literature at the University of London and chairperson of the judges panel, at a dinner at the Bodleian Library in Oxford on Monday. The short story examines family dynamics from the perspective of the young daughter of a committed teacher during the late apartheid years. |
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